Williams is Gina, a woman of frustrated ambitions attempting to build a ‘perfect’ family with her husband and surly child, but struggling with her own slippery ethics as she tries to get things done in the sleepy town. And Native American actor Lily Gladstone rounds off the trio, playing lonely ranch hand Jamie, who enrols in a night school course and develops confusing feelings for supply teacher Beth (Kristen Stewart).

 

It’s all-round stellar work from an impeccable cast, with striking discovery Gladstone particularly sublime as the near-silent figure struggling to articulate the nature of her interest in Beth. Drawing from Montana-native Maile Meloy’s short stories, Reichardt’s delicate, nuanced direction ensures that the minutest look or gesture gains epic significance. And the only moment in the film to employ scored music is so overwhelming it might just break your heart.


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